AltiSpace - Advanced Convolution Reverb is great for adding ambience and depth of space to any instrument, samples or voice in GarageBand and Logic or any other DAW on iOS and Mac. It can also be used as a standalone reverb / effect processor with real instruments, synths and voice in a home studio or live when using an external audio interface.
A large number of ready-made presets from the most famous hardware reverbs and the ability to load your own IR samples, as well as advanced controls make this app indispensable when working with a wide range of source material or mixes.
What's new:
New app icon.
User interface improvements.
Quick preset selection (double-tap on the preset name area).
New reverb modes for better stereo ambience (see description).
Selecting the type of noise for a more natural sound.
This walkthrough, review and demo of SpaceFields app from Gavinski’s Tutorials, an experimental looper app that works standalone and as an AUv3 plugin on iPad, iPhone and M1 or higher Macs. It is mainly designed for spacey soundscapes, ambient and experimental music, but can also be used in a cleaner way for interesting Euclidean rhythmic effects on guitar and synth lines etc. There are some things I love about it and others I’m not so crazy about. If you think you can get used to the workflow, it may provide a very interesting and budget alternative to many highly priced and uber-trendy hardware guitar pedals.
SpaceFields (iOS/Mac/AUv3) is a mangler effect for creating slowly changing rhythmic sound structures in a deep reverb space from any external signal. Great for experimenting and designing ambient and noise backgrounds with rhythmic elements. >>> More about this app
Follow the link "More about this app" to learn more about the app, download the PDF description (also built-in the app) and watch the video demos and tutorials.
NoiseSpace (iOS/Mac/AUv3) is an experimental sound generator based on simplex noise, which is then used in a granular synthesis algorithm. This design allows for the creation of a vast array of diverse waveforms rich in harmonics with a rich low-frequency spectrum. >>> More about this app
LoopMangler (iOS/Mac/AUv3) is an innovative multi-effect glitch sequencer designed to manipulate rhythmic samples, external input, or output from other applications. This powerful tool operates based on the effect sequence patterns, allowing you to transform ordinary loops into unusual glitchy and noisy textures. >>> More about this app
Stellarvox (iOS/Mac/AUv3) is a hybrid reverb with an artificial space designer, combining it with algorithmic reflections tail processing, is ideal to creating immersive ambience of deep spaces, lush atmospheric textures or stunning whispering backgrounds in your ambient, electronic, experimental and sound design projects. >>> More about this app
NoInputMixer (iOS/Mac/AUv3) is an experimental feedback-based musical instrument that models an analog mixing console, designed to create a wide range of amazing, otherworldly electronic sounds by feeding the mixer's output back to its input. >>> More about this app
GlitchScaper (iOS/Mac/AUv3) is a rhythm machine with six sound generators, each controlled by a two-layer cycle sequencer, designed to easily create glitchy patterns and scapes. >>> More about this app
VintageRack (iOS/Mac/AUv3) is a minimalistic and convenient multi-effect application that contains modules realistically simulating notable retro gear from the early digital age with their natural lo-fi and warm aesthetics. >>> More about this app
SpaceFields (iOS/Mac/AUv3) is a mangler effect for creating slowly changing rhythmic sound structures in a deep reverb space from any external signal. Great for experimenting and designing ambient and noise backgrounds with rhythmic elements. >>> More about this app
AltiSpace (iOS/Mac/AUv3) is a convolution reverb app with advanced controls that provides realistic sounding natural acoustic space or vintage reverb devices for any track or mix. >>> More about this app
SoundSaw (iOS/Mac/AUv3) is a complex sound processing app with easy-to-use controls designed to distort the sound of musical instruments or voice, and give the sound the aesthetics and atmosphere of noise, lo-fi, chiptune and experimental music scene. >>> More about this app
BeatCutter (iOS/Mac/AUv3) is an experimental multi-channel app for slicing and recombining sound based on rhythm. In the center of the app is a matrix of sample cells with smoothly reconfigurable recording, playback and control busses. >>> More about this app
A complete sound effects processor and a mono to stereo converter with equalizer, effects and reverb, based on specially designed high-quality processing algorithms and suitable for any kind of audio sources. >>> More about this app
Synthesizer specially designed for creating and experiments with ambient soundscapes in wide range from noises to melodic instruments and everything in between. >>> More about this app
The special lightweight version of SynthScaper LE lets you easily create and modify your own multi-timbral pads and atmospheric soundscapes. >>> More about this app
Advanced field recorder combined with a sound warp engine and a collection of ready to use dynamic presets for iPad and iPhone. >>> More about this app
SoundScaper is an experimental sound mini lab for creating unusual soundscapes, atmospheric textures, drones, glitches and noises based on circuit bending principles. >>> More about this app
A curated series of video reviews reveals all the details of NoiseSpace - an experimental sound generator for creating noise textures and backgrounds. These engaging overviews dissect every detail - from its dual-output design to its sophisticated noise texturing and real‑time modulation - making them essential viewing for anyone keen to grasp the full capabilities of this application.
Thanks to Gavinski’s Tutorials and SoundForMore Tutorials for exceptional reviews of NoiseSpace. Your detailed insights and engaging breakdowns have provided a clear window into the application features, making its sophisticated noise generating capabilities accessible to everyone.
With this update you can use NoiseSpace as an effect with other apps or even with real instruments. The new filter allows the input source to be modulated by the noise generator signal. It is something like ring modulation, but more varied and experimental. It is possible to use an external signal instead of a noise generator for one or more generators. The input signal will pass through the same filters and effects for the main and background layers.
Also in this update:
Added the option to feed input signal to all generators.
The phases of all LFOs are synced with the beat clock.
Added generator number to the control panel.
Fixed issue with MIDI controls for generators.
Added several new presets.
Ableton Link has been updated.
A few more minor bugs have been fixed.
The description has been updated.
NoiseSpace is an experimental sound generator based on simplex noise, which is then used in a granular synthesis algorithm. This design allows for the creation of a vast array of diverse waveforms rich in harmonics with a rich low-frequency spectrum. The generator is controlled by just a few simple parameters.
In the realm of experimental sound design, NoiseSpace and NoInputMixer emerge as two distinct yet complementary tools, each offering unique features and unparalleled potential for creativity. As the creator of these applications, I am excited to delve into their conceptual and functional differences, while also highlighting the shared vision that unites them.
NoInputMixer: The Unpredictable Musical Instrument
NoInputMixer, on the other hand, is a true musical instrument that thrives on unpredictability and experimentation. This app models an analog mixing console and effects rack, allowing users to create otherworldly electronic sounds through feedback loops. The sound is generated by connecting the input and output, creating a feedback loop that resonates and evolves. Filters and effects further shape the tone, adding harmonics and depth.
Key Features:
- Analog mixing console and effects rack modeling
- Feedback loop creation for unique sound generation
- Ready-to-use presets and parameter randomizer
- Versatile user interface with classic mixer or single channel control
No-input mixing is an avant-garde sound design technique where the output of a mixer is fed back into its input, creating a feedback loop. This method transforms the mixer itself into a dynamic, self-contained sound generator, capable of producing a vast array of unpredictable and otherworldly electronic tones. By manipulating various mixer parameters, such as volume, EQ, and effects, sound designers can explore a rich tapestry of sonic textures and atmospheres, perfect for experimental music, sci-fi soundscapes, and unique audio effects. Despite its complexity and inherent instability, no-input mixing offers boundless creative potential for those willing to embrace its unpredictability.
NoiseSpace is an experimental sound generator that employs simplex noise and granular synthesis to create a vast array of harmonically rich waveforms. This app excels in producing gritty textures, complex patterns, and deep, mesmerizing backgrounds, making it an essential tool for ambient compositions, sci-fi soundscapes, and industrial atmospheres. The application is user-friendly, with a dedicated "Create" button that generates unique presets, enabling immediate exploration and creativity.
Key Features:
- Simplex noise and granular synthesis for diverse sound textures
- Easy-to-use "Create" button for instant preset generation
- Advanced filters and low-frequency modulators for sound customization
- Dual output system for layered sound design
Simplex noise is a type of gradient noise used in procedural texture generation, providing smoother and less repetitive results compared to traditional Perlin noise. Granular synthesis, on the other hand, is a sound synthesis method that involves dividing a sound into small fragments called grains, which are then layered and manipulated to create complex textures and evolving soundscapes. Combined, these techniques enable the creation of rich, harmonically diverse audio, perfect for crafting intricate and immersive sonic environments.
NoiseSpace is an advanced sound generator focused on controlled chaos. It uses modern synthesis techniques to create a rich, varied sound palette, making it suitable for crafting intricate and captivating sonic structures. Its primary strength lies in its ability to generate harmonically rich textures with minimal user input.
NoInputMixer, in contrast, is an avant-garde musical instrument that embraces the unpredictability of feedback loops. It offers a dynamic and expressive way to create and manipulate sound, with each knob and slider potentially altering the sonic landscape in unexpected ways. This app is ideal for those who seek to explore the boundaries of experimental sound and live performance.
Shared Vision and Creative Potential:
Despite their differences, both NoiseSpace and NoInputMixer share a common goal: pushing the boundaries of sound design. They offer musicians and sound designers unique tools for crafting original compositions, soundtracks, and special effects. NoiseSpace's advanced synthesis capabilities complement NoInputMixer's dynamic feedback loops, providing a comprehensive toolkit for creative exploration.
Whether you are drawn to the controlled chaos of NoiseSpace or the experimental nature of NoInputMixer, these applications will inspire you to explore new realms of sonic creativity. By harnessing the power of these innovative tools, you can unlock new dimensions of sound and elevate your musical projects to unprecedented heights.
In conclusion, NoiseSpace and NoInputMixer represent two distinct pathways in the journey of sound exploration. Their unique features and shared vision make them invaluable assets for anyone seeking to push the limits of experimental sound design. Let these applications guide you as you venture into the depths of sound and discover the limitless possibilities that await.
NoiseSpace is an experimental sound generator based on simplex noise, which is then used in a granular synthesis algorithm. This design allows for the creation of a vast array of diverse waveforms rich in harmonics with a rich low-frequency spectrum. The generator is controlled by just a few simple parameters.
Despite its somewhat chaotic and atonal nature, it is great for creating rich noise, gritty textures, complex patterns and deep, dark, mesmerizing and tense backgrounds. It is especially suitable for creating ambient compositions, as well as sci-fi, industrial, post-apocalyptic and horror atmospheres. This app also serves as a powerful tool for noise art and sound design, offering users the ability to craft intricate and captivating sonic structures. With its focus on deep, hypnotic, and tension-filled soundscapes, NoiseSpace is an essential tool for musicians, sound designers, and artists exploring experimental and textural audio creation.
Starting with NoiseSpace is remarkably easy. The application features a dedicated "Create" button that generates unique and interesting presets ready for immediate use, requiring only minimal adjustment to suit the user's needs or ideas. Additionally, it includes options for generating sequences and patterns, and for simple tone and modulation creation for each generator, making the application user-friendly and ready for immediate exploration right from the start.
Key Features:
Five Sound Generators: Utilizes simplex noise and granular synthesis to create diverse sound textures.
Versatile Sound Options: Offers a vast range of sound variations with just a few parameters.
Advanced Filters: Includes both classic and complex filters for each generator.
Low-Frequency Modulators: Each generator is equipped with three LFOs that can control most parameters.
Dual Output System: Each generator has a main output and a special output for background sound.
Layered Sound Design: Generator outputs are combined to create two layers - main sound and background.
Pattern and Texture Creation: Features an internal sequencer / binary counter for managing generators.
Quick Reference:
Click on image to enlarge
NoiseSpace is a universal application for iOS and macOS. It can work on iPhone and iPad as well as Mac / MacBook with M1 chip (and later). NoiseSpace works on iPhone and iPad standalone, as an Audio Unit or Inter-App Audio module, and supports Audiobus and Ableton Link. On MacOS, NoiseSpace can works both as a standalone application and as an Audio unit (AUv3) with DAWs and other hosts that support AUv3 plugins. NoiseSpace has a built-in detailed description of all parameters also available as PDF file on the application site.
"Noise music is a genre of music that is characterised by the expressive use of noise. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect." - From Wikipedia, the free encyclopedia
>>> The art of noise - Sound is ubiquitous, unstoppable, immersive, the agency through which spoken language is understood and music is absorbed. Sound works quietly with other senses to scan an environment, to define orientation within a place, to register the feeling that we describe as atmosphere. Without sound, the world can be an indecipherable, remote and dangerous place, yet sound is the sense that we take for granted – the sense that comes to the forefront of our attention when a restaurant is too loud, when a neighbour’s television penetrates the walls, when a car alarm shatters the peace of a Sunday morning.
>>> The beginner's guide to: noise (MusicRadar) - Unlike most genres, the name ‘noise’ alone probably conjures a good mental image of what we’re talking about. The name has retrospectively been applied to more than half a century’s worth of experimental music which was known by different names at the time, but the common threads are exactly what you’re probably thinking: distortion, non-musical sounds, atonality and dissonance.
>>> A Beginner’s Guide to Noise Music - If you agree with David Novak, the author of "Japanoise: Music at the Edge of Circulation", then you probably believe that writing a history of noise music is inherently impossible. According to Novak, noise comes from the circulation of cultural ideas and artifacts, emerging from the accumulated meaningless debris that accompanies all forms of communication. Vinyl pops and scratches, for example, become noisy if what you want to hear is the recordings on that record. Noise music, therefore, comes from artists purposefully activating that noise. And since that noise comes from an infinite number of contexts, it’s impossible to map the history of noise music, or even to document the entire contemporary noise scene. Both, by definition, are constantly and unendingly regenerating.
>>> Distortion & Destruction: A Deep Dive Into Japanese Noise Music - Noise music is an aptly named genre that consists of loud, distorted, compressed and often unrhythmic percussion, stabs, and static created with unorthodox vocals, random objects, and electronic instruments or software. "Noise" is much more than purely a genre, however, with a vast subculture that exists in Japan and around the world known for its deeply rooted anarchist image, rebellious attitude toward societal normality, and a brand of political progressivism influenced by psychedelic usage and the modern punk scene.
>>> Review: NoInputMixer for iOS and macOS Opens New Frontiers in Synthesis (TabMuse) - No input mixing is a boutique synthesis technique used by sound designers usually armed with only a mixer and some cables. It offers an exploratory approach focused on the creative control of noise and feedback. If interested in new frontiers of sonic exploration, this is a sound design area worthy of your notice.
>>> Why Noise Music is the Only Genre that Sounds Better Online - Most musicians struggled to adapt to the technological constraints of online musical performance, and some whole genres fell to the wayside— the impossibility of large ensembles meant that most performance styles were hideously impractical, if not impossible. Orchestras, choirs, and bands haphazardly cobbled together stripped-back reimaginations of their work, compatible with the stifling environment of high-latency, low-quality Zoom conference calls. But meanwhile, there was another style of musical performance that better managed the move to cyberspace, due in part to its curious relationship with digital technology itself. That genre is noise music.
>>> Semiotics in Noise Music (Prof. Anneleen Masschelein) [PDF] - Noise music is a musical genre that features a fusion of traditional instruments and electronic sounds, recordings and machines. It is sometimes described as soundscape, for rhythm and structure are of minor importance. In this paper, I will discuss noise music as a problematic sign in a semiotic approach, given the ambiguity of the concepts of "noise" and "music". As noise music is usually less known to the public, following introduction should provide a general overview. Firstly, I will point out how the differences between "noise" and "music" are perceived by scholars. Secondly, I will give a short historical introduction on noise music and its current state as a music genre. Thirdly, I will discuss the importance of indeterminacy in performance for the long-standing success of noise music.
>>> What is Noise Music? A Psychometric Approach - Can noise music fans tell us about benignly masochistic art and how sound becomes music? Noise music often includes "non-musical" sounds (electronic static/ feedback/screaming), while both exaggerating features of musicality (excessive monotony/surprise) and/or stripping them away (melody/harmony). Noise enthusiasts (N=395) preferences and attitudes about sound and music were recorded. We tested a five factor model using diagonally weighted least squares. Results suggest a good fit of data to the hypothesized model (CFI=0.967; RMSEA=0.043).
Exploring the Concept of an Experimental Generator Based on Simplex Noise for Granular Synthesis.
This is the first test of the idea of an experimental generator based on simplex noise, which is then used in a granular synthesis algorithm. This design allows for the creation of a vast array of diverse waveforms rich in harmonics with a rich low-frequency spectrum. The generator is controlled by just a few simple parameters. Despite its somewhat chaotic and atonal nature, it is highly suitable for generating industrial sound structures, ominous, foreboding noise and backgrounds.
In this demo, sound from an experimental generator is processed by SoundSaw and Stellarvox apps to create a deep, dark, slightly creepy background. When the generator parameters are altered, the waveform undergoes significant changes, resulting in a highly diverse original sound. However, SaundSaw transforms it into a very dense texture, oversaturated with distortions and harmonics, which in Stellarvox is diffused into an inverted space with minimal presence of the original sound.
Simplex noise, developed by Ken Perlin in 2001, is an improvement over his earlier Perlin noise algorithm. While Perlin noise is widely used in computer graphics for generating natural-looking textures, simplex noise offers several advantages, including lower computational complexity and reduced visual artifacts. Simplex noise is particularly useful in higher-dimensional spaces, making it a versatile tool for various applications.
In sound design and synthesis, simplex noise can be a powerful tool for creating unique textures and timbres. Its ability to generate smooth, continuous noise makes it ideal for producing evolving soundscapes and dynamic audio effects. By modulating sound parameters with simplex noise, sound designers can introduce subtle variations and complexity, resulting in more organic and interesting sounds.
Additionally, simplex noise can be used to create stochastic melodies and rhythms, adding an element of unpredictability to musical compositions. Its mathematical properties allow for seamless looping and interpolation, making it a valuable resource for experimental music and sound art. Overall, simplex noise's versatility and efficiency make it an exciting tool for innovative sound design and synthesis.
Stellarvox (iOS/Mac/AUv3) is a hybrid reverb with an artificial space designer, combining it with algorithmic reflections tail processing, is ideal to creating immersive ambience of deep spaces, lush atmospheric textures or stunning whispering backgrounds in your ambient, electronic, experimental and sound design projects.
SoundSaw (iOS/Mac/AUv3) is a complex sound processing app with easy-to-use controls designed to distort the sound of musical instruments or voice, and give the sound the aesthetics and atmosphere of noise, lo-fi, chiptune and experimental music scene.
Hybrid reverb with an artificial space designer, combining it with algorithmic reflections tail processing, is ideal to creating immersive ambience of deep spaces, lush atmospheric textures or stunning whispering backgrounds in your ambient, electronic, experimental and sound design projects.
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