Thursday, February 12, 2026

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In this demo, the evolving ambient soundscape generated by the ExoSphere app running as an Audio unit on iPad is enhanced with the rhythmic pulse of GarageBand built-in drum machine, whose output is further transformed in real time by the LoopMangler app.

Because ExoSphere sync tightly with the host BPM, and the quantization of all LFOs and effects to bars and beats, it becomes an excellent foundation for integrating more dynamic rhythmic structures. This opens the door to a wide range of creative approaches using drum machines, sequencers, and rhythm-driven effects.




Creative Rhythmic Approaches to Explore

1. Layered Drum Machine Patterns

Beyond simple beats, consider stacking multiple drum machine apps each with its own groove, swing, or polyrhythmic structure. When synced to ExoSphere BPM, these layers can create:

  • Minimalist pulses that subtly reinforce the ambient drift
  • Complex polyrhythms that contrast with ExoSphere slow evolution
  • Evolving percussive textures using probability-based sequencers

Apps like Patterning, Elastic Drums, or Ruismaker can add character and movement without overwhelming the atmosphere.

2. Granular and Spectral Rhythm Processing

Routing drum machine output through processors such as LoopMangler, GlitchScaper, or BeatCutter can transform rhythmic material into:

  • Fragmented micro‑loops
  • Spectral bursts
  • Time-stretched rhythmic clouds
  • Glitch-infused percussive textures

These processed rhythms blend especially well with ExoSphere Grain and Shard layers, creating a unified, evolving sonic field.

3. Rhythmic Modulation of ExoSphere Itself

Since ExoSphere supports tempo-synced LFOs and effects, you can introduce rhythm internally by modulating:

  • Filter cutoff in syncopated patterns
  • Sample position or grain density at rhythmic intervals
  • Presence or tone of the layer tied to beat divisions

This creates a subtle rhythmic “breathing” inside the soundscape, even before adding external percussion.

4. Using MIDI Driven Instruments for Additional Motion

Any sequencer controlled instrument - synths, samplers, FM engines, or even generative MIDI tools can complement ExoSphere with:

  • Soft arpeggios
  • Pulsing basslines
  • Evolving melodic fragments
  • Algorithmic rhythmic motifs

These elements can be mixed at low levels to add motion without disrupting the meditative quality.

5. Polymetric and Polyrhythmic Experiments

Because ExoSphere layers evolve independently, they pair beautifully with rhythmic structures that don’t strictly align with the main grid. Try:

  • 5‑against‑4 or 7‑against‑3 drum patterns
  • Asymmetric loops (e.g., 13‑step sequences)
  • Slowly shifting Euclidean rhythms

These create a sense of drifting time, perfect for ambient and experimental music.

6. Sidechain‑Inspired Rhythmic Sculpting

Using volume‑shaping tools or envelope followers, you can create rhythmic interplay between ExoSphere and percussion:

  • Pulsing “breathing” textures
  • Ducking effects tied to kick patterns
  • Rhythmic gating synced to sequencer triggers

This technique adds clarity and movement while preserving the immersive atmosphere.

7. Field Recordings as Rhythmic Elements

Since ExoSphere allows loading custom samples, you can introduce rhythmic or semi-rhythmic field recordings (best used in the Shard layer):

  • Mechanical loops (train wheels, fans, clocks)
  • Natural cycles (waves, rain patterns, footsteps)
  • Textural percussive hits (stones, wood, metal)

These blend organically with ExoSphere Grain and Flow layers, creating hybrid rhythmic-ambient environments.

Experimental Directions Worth Exploring

  • Generative rhythm engines interacting with ExoSphere’s randomization features
  • MIDI-to-modulation routing, where rhythmic triggers modulate ExoSphere parameters
  • Cross-feedback loops between rhythmic processors and ExoSphere’s audio output
  • Slow-motion percussion, where beats are stretched to extreme lengths to match ExoSphere’s meditative pace
  • Rhythmic spectral freezing, capturing drum transients and turning them into shimmering pads

Each of these approaches can push ExoSphere into new creative territory, transforming it from a purely ambient generator into the core of a richly textured rhythmic ecosystem.



ExoSphere (iOS/Mac/AudioUnit) is a creative tool for shaping continuous ambient and meditative compositions, based on five independent sound layers that merge into a seamless atmosphere. It provides an effortless way to create a foundation for ambient tracks or even a complete background piece with minimal adjustments.

>>> More about ExoSphere

LoopMangler (iOS/Mac/AudioUnit) is an innovative multi-effect glitch sequencer designed to manipulate rhythmic samples, external input, or output from other applications. This powerful tool operates based on the effect sequence patterns, allowing you to transform ordinary loops into unusual glitchy and noisy textures.

>>> More about LoopMangler




Wednesday, February 11, 2026

Shaping Atmosphere with a Single Instrument

There’s something endlessly inspiring about the iOS music ecosystem. It’s a world where compact, beautifully crafted tools open the door to surprisingly deep sonic exploration. With just a single instrument and a handful of creative apps, you can shape entire atmospheres - layering textures, sculpting space, and weaving live improvisation into a rich, multidimensional soundscape.

Watching how these elements interact feels almost magical. It’s a reminder that modern mobile music isn’t just convenient, it’s genuinely expressive, professional, and full of artistic possibility.


Jonathan Block - "Any instrument sounds great through some iPad soundscape apps. In this video, I play an Aulos 590 Symphony alto recorder into an Audio-Technical AT2020 condenser microphone. I use some iPad AUv3 effects apps in AUM, including SpaceFields, Stellarvox, NoiseSpace and AltiSpace, Other Desert Cities and Velvet Machine heavily into this improvisation as well. And finally, there’s also Eventide’s Blackhole, Bleass Compressor and Quantovox’s Spatializer."

Tuesday, February 10, 2026

Musique Concrète as a Meditative Sound Environment

Musique concrète is an early form of experimental music that emerged in France in the late 1940s. Instead of relying on traditional instruments or written notation, its pioneers - most notably Pierre Schaeffer worked directly with recorded sounds from the real world.

Everyday noises, mechanical hums, fragments of speech, environmental textures, and accidental sonic moments became the raw material for composition. These sounds were cut, looped, reversed, slowed down, layered, and transformed using early tape editing techniques.

The result was a radical shift: music was no longer something performed, but something constructed from the concrete sonic reality around us.

From Experimental Collage to Meditative Space

A meditative sound environment is an auditory space designed to support presence, stillness, and sensory awareness. It doesn’t guide the listener with melody or rhythm, instead, it creates a field of sound that encourages attention to settle and expand.

Musique concrète can naturally evolve into this kind of environment. Its focus on texture, subtle detail, and non-linear structure makes it ideal for meditative listening. When the raw materials of musique concrète are softened, stretched, and arranged with spaciousness in mind, they become a sonic landscape that invites the listener to drift inward, detach from external demands, and inhabit the present moment.

In this context, musique concrète becomes less about experimentation and more about immersion an acoustic world that gently dissolves the boundaries between inner and outer experience.


Imagine a composition built not as a narrative, but as a place to inhabit:

  • A deep, steady atmospheric layer - a distant hum of wind, a softened mechanical drone, or the resonant body of a slowed down object creates a sense of grounding and continuity.
  • Sparse micro details emerge and fade - a soft crackle, a shifting texture of fabric, a single droplet of water stretched into a shimmering tone. These sounds appear unpredictably, encouraging attentive presence without demanding focus.
  • Organic yet abstract elements - a human voice transformed into a warm, breath-like texture, or footsteps reversed into gentle swells add a sense of life without pulling the mind toward meaning.
  • Low, tactile vibrations - subtly pulse beneath the surface, not as rhythm but as a bodily sensation, helping the listener sink deeper into stillness.

The overall effect is a soundscape that feels both familiar and unplaceable. It doesn’t tell a story, it simply is. And in listening, the mind gradually shifts into the same state-quiet, open, and anchored in the present.

Further Exploration

For readers interested in diving deeper into the origins and evolution of musique concrète, here are a few key points and figures worth exploring:

Tuesday, February 3, 2026

ExoSphere (iOS/Mac) updated to version 1.3

The new update expands ExoSphere’s creative flexibility with enhanced sample handling and additional expressive tools inside the Shard generator. Workflow becomes smoother, sound design more nuanced, and navigating personal sample libraries noticeably easier. It’s a focused, practical upgrade that strengthens both everyday use and deeper exploration.

What's new:

  • Added sample groups to the File Manager for organized sample management.
  • Added the Move function for assigning samples to groups or returning them to the main list.
  • Added Back navigation to switch between groups and the main sample list.
  • User sample selection now opens directly in the corresponding layer's group for faster workflow.
  • Implemented automatic grouping based on sample name prefixes.
  • Added missing sample indicator "(!)" to the select button when the sample is no longer found.
  • Added three playback modes to the Shard generator: Granular, Oneshot, and Repeat.
  • Some minor user interface improvements.
  • Description updated. Also available as a PDF file on app site.
  • Several minor bugs were fixed.

Click on image to enlarge



ExoSphere is a creative tool for shaping continuous ambient and meditative compositions, based on five independent sound layers that merge into a seamless atmosphere. It provides an effortless way to create a foundation for ambient tracks or even a complete background piece with minimal adjustments.

>>> More about ExoSphere




Monday, February 2, 2026

Live Improvisation with ExoSphere

Jonathan Block - "I recorded short clips into GarageBand using an Aulos 709B 'Haka' alto recorder and a Hokema B7 kalimba through an Audio Technica AT2020 condenser microphone. I imported these clips into ExoSphere to create the patch I used in this video. I also switch the kalimba input from Sample to Input so that the app will process the sound in real time. To be honest, I’m good with just the samples and then playing recorder and kalimba solos over that."

>> More about ExoSphere




Monday, January 5, 2026

Goodbay Facebook

Unfortunately, my Facebook account has been graciously tossed into the void. The reason is so ridiculous it could be performance art: I was simply replying to people who wished me a happy birthday. But their almighty "AI" decided this was a threat to the sacred integrity of their "community". Reaching a real human, of course, is impossible - their idea of "support" is as real as a unicorn sighting.

The quality of Facebook's service remains impressively low, right in line with what appears to be the competence level of whoever builds this machinery. But the corporation clearly doesn't mind. Their "community" isn't meant for creative people, or for anyone who wants to learn, think, or discover. The only thing that matters is the endless, brain-numbing scroll. One person, ten people, a hundred - irrelevant. They operate on a cosmic scale, where attention to detail has been replaced by a black hole.

What actually stings is losing the ability to talk to the few genuinely creative people who care about what I do.

Thankfully, I can still share my work and respond on YouTube, X, and Mastodon - platforms where you don't have to guess which arbitrary rule an algorithm will choke on today.

Thank you for your support!